Ego is a rat on the sinking ship of being.

Each man has a quiet that revolves
around him as he beats his head against the earth.

— Ilya Kaminsky, from “In Our Time (formerly, Of Deafness)”

(Source: hypocrite-lecteur)

Some one said: ‘The dead writers are remote from us because we know so much more than they did.’ Precisely, and they are that which we know.

— T. S. Eliot, from “Tradition and the Individual” 

(Source: proustitute)

Vladimir Mayakovsky reads “А вы могли бы?” [And Could You?] (from 1913; English translation available here).

Paul Celan writes (in the notes and fragments collected under “Hostility to Art” in The Meridian):

“How does one make verses” º Mayakovsky tried to ask himself at a certain hour—with this question he did. —the boat of his love shattered on the thusness \Sosein\ ⌊(and the refusal to want to be something other⌋ of human dailiness … Omnipotence puts it back together—

(Source: beetleinabox)

La nuit

n’a nul pas besoin d’étoiles, nulle part

on ne s’intéresse à nous.

— Paul Celan 

(Source: yama-bato)

The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.

— T. S. Eliot, from “Rhapsody on a Windy Night

[prompted by odalisquia’s word suggestion: “nostalgia”]   

(Source: proustitute, via journalofanobody)

Tristan Tzara - Pour compte, Phases (1949)

(Source: sweetblue, via eraseourhead-deactivated2011122)

bukowski’s poem “style”


Style is the answer to everything.
Fresh way to approach a dull or dangerous day.
To do a dull thing with style is preferable to doing a dangerous thing without style.
To do a dangerous thing with style, is what I call art.
Bullfighting can be an art.
Boxing can be an art.
Loving can be an art.
Opening a can of sardines can be an art.
Not many have style.
Not many can keep style.
I have seen dogs with more style than men.
Although not many dogs have style.
Cats have it with abundance.

When Hemingway put his brains to the wall with a shotgun, that was style.
For sometimes people give you style.
Joan of Arc had style.
John the Baptist.
Jesus.
Socrates.
Caesar.
García Lorca.
I have met men in jail with style.
I have met more men in jail with style than men out of jail.
Style is a difference, a way of doing, a way of being done.
Six herons standing quietly in a pool of water, or you, walking 
out of the bathroom without seeing me.

(Source: skinned-teen)

No one invents an absence:
Cadmium yellow, duckweed, the capercaillie
—see how the hand we would name restrains itself
till all our stories end in monochrome;

the path through the meadow
reaching no logical end;
nothing but colour: bedstraw and ladies’ mantle;
nothing sequential; nothing as chapter and verse.

No one invents the quiet that runs in the grass,
the summer wind, the sky, the meadowlark;
and always the gift of the world, the undecided:
first light and damson blue ad infinitum.

— John Burnside, “Si Dieu n’existait pas” 

(Source: proustitute)

Douglas Blazek, ‘A Personal Ecology’

Douglas Blazek, ‘A Personal Ecology’

(Source: printed-ink)

I prayed to rediscover my childhood, and it has come back, and I feel that it is just as difficult as it used to be, and that growing older has served no purpose at all.

— Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge

(Source: proustitute)

(via tkcokw)

T. S. Eliot’s manuscript of The Waste Land.

(via anticipatedstranger)