" Wo Es war, soll Ich werden."

Causa. I join these words for four people, Some others may overhear them, world, I am sorry for you, You do not know these four people. Ezra Pound / "My day passes between logic, whistling, going for walks, and being depressed." Ludwig Wittgenstein / "On a deux vies, et la deuxième commence quand on se rend compte qu’on n’en a qu’une" Confucius / "My works were designed to amuse, annoy, bewilder, mystify and inspire reflection." Man Ray / «Todas las teorías del dadaísmo y del surrealismo son monótonamente repetidas. El “ready-made” inunda el globo. Cuando todo sea “ready-made” no habrá que tocar nada» Salvador Dalí, 1932 / "existir apenas levemente / como el sol de tarde que dibuja / sombras de las hojas de los plátanos / en la pared que da al oeste." Beatriz Vignoli / "Anything can happen. Especially nothing." Michel Houellebecq

The philosopher Slavoj Zizek enjoys a good joke. Here’s one of my favourites: two men, having had a drink or two, go to the theatre, where they become thoroughly bored with the play. One feels a pressing need to urinate, so he tells his friend to mind his seat while he goes to find a toilet. “I think I saw one down the corridor outside,” says his friend. The man wanders down the corridor, but finds no WC. Wandering further, he walks through a door and sees a plant pot. After copiously urinating into it, he returns to his seat. His friend says, “What a pity! You missed the best part. Some fellow just came on the stage and pissed in that plant pot.”

This gag perfectly describes the argument of Zizek’s new book on violence. Drunkenly watching the boring spectacle of the world stage, we might feel an overwhelming need to follow the call of nature somewhere discreet. Yet, in our bladder-straining self-interest, we lose sight of the objective reality of the play and our implication in its action. We are oblivious to the fact that we are pissing on stage for the world to see.

So it is with violence. Our subjective outrage at the facts of violence – a suicide bombing, a terrorist attack, the assassination of a political figure – blinds us to the objective violence of the world, a violence where we are perpetrators and not just innocent bystanders. All we see are apparently inexplicable acts that disturb the supposed peace of everyday life. We consistently overlook the objective or what Zizek calls “systemic” violence, endemic to our socio-economic order.

Simon Critchley reviews Violence, By Slavoj Zizek - The Independent

He continues: 

The main ambition of this book is to bring together subjective violence with the objective violence that is its underside and precondition. “Systemic violence is thus something like the notorious ‘dark matter’ of physics,” Zizek writes: invisible to naked eye. Zizek offers a rather cool and at times cruel analysis of the varieties of objective violence. He asks tolerant multicultural Western liberals to suspend our outraged responses to acts of violence and turn instead to the real substance of the global situation. (…)

 

At the heart of Zizek’s book is an argument about ideology that has been a powerful, constant feature of his work since he burst onto the intellectual scene in the late 1980s. Far from existing in some post-ideological world at the end of history where all problems can be diagnosed with neo-liberal economics and self-serving assertions of human rights, ideology completely structures our lived reality. This ideology might be subjectively invisible, but it is objectively real. Each of us is onstage, pissing in that plant pot.”

(Italian friends, please could you send a translated copy of Slavoj Zizek’s book Violence to Roberto Saviano on my behalf, and append this review to it? Thank you.)

Tagged with: Roberto SavianoSlavoj Ziezekcritical theoryideologyphilosophyriotsthe modern worldviolencesent’amméSimon Critchley

(via byronic)

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